Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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George Robert Lewis
Dynedor Hill,Herefordshire,Harvest field with reapers (mk47)

ID: 26104

George Robert Lewis Dynedor Hill,Herefordshire,Harvest field with reapers (mk47)
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George Robert Lewis Dynedor Hill,Herefordshire,Harvest field with reapers (mk47)


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George Robert Lewis

English, 1782-1871  Related Paintings of George Robert Lewis :. | St.Louis of France and St.Louis of Toulouse | Watson and the Shark | a can can dance from offenbach s la vie parisienne | Vincent van Gogh, pastel drawing by Henri de Toulouse Lautrec | Woman Holding a Balance t |
Related Artists:
Lauret Aine
1806-1882
Anna Hills
1882-1930
Francesco Curradi
Italian Baroque Era Painter, 1570-1661 son of Taddeo Curradi. He produced many devotional works and had a large clientele. At their best, the works are distinguished by lucid draughtsmanship, simple compositions and elegant, melancholy figures. Curradi was trained in the studio of Giovan Battista Naldini and in 1590 matriculated from the Accademia del Disegno, Florence. His first independent works include a Virgin and Child with Saints (1597; Volterra, S Lino) and a Birth of the Virgin (1598; Volterra Cathedral), both signed and dated. These paintings reflect the new clarity and directness introduced into Florentine painting by such artists as Santi di Tito and Jacopo Ligozzi. Subsequent works include a Crucifixion (1600) and a Virgin and Saints (1602; both Legnaia, S Angelo). In these the influence of Naldini yielded to that of Lodovico Cigoli and his circle, while the mildness of expression in the figures was inspired by Domenico Passignano. An album of 87 red chalk drawings, with scenes from the Life of St Mary Magdalene dei Pazzi (1606; Florence, convent of the Carmelites at Careggi) distinguished by their precision and clear, characteristically Florentine compositions, contributed to the iconography of this popular Counter-Reformation saint. In 1607 Curradi was commissioned to portray her mortal remains, and this painting, together with the drawings,






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